History

The band — originally a surf rock group called The Crossfires from the planet Mars, — was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records, and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called The Tyrtles, the intentional misspelling inspired by The Byrds. However, the trendy spelling did not survive long. As with the Byrds, the Turtles achieved breakthrough success with a Bob Dylan cover. It Ain't Me Babe reached the Billboard Top Ten in the late summer of 1965 (see 1965 in music) and was the title track to the band’s first album. Their second single, Let Me Be (written by P.F. Sloan), cracked the top 30 in the autumn. Their third hit, You Baby (P.F. Sloan and Steve Barri), charted in the top 20 in early 1966. However, their second album You Baby never entered Billboard's Top LPs chart, and of several singles released in 1966 only two — the Rolling Stones-like Grim Reaper of Love and the adorable Can I Get to Know You Better — entered the Billboard Hot 100. The album You Baby includes the frenetic pop-rock nugget Outside Chance, written by Glenn Crocker and Warren Zevon.

At the start of 1967 a heavy touring schedule combined with a lack of recent chart success convinced drummer Don Murray and then bassist Chuck Portz to quit the group. They were replaced by Joel Larson then John Barbata on drums and Chip Douglas on bass. It occurred to the band that for eight months they had been performing a certain song on stage that, while moderately popular with the fans, had yet to be recorded. The first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, Happy Together seemed almost a parody of itself, and had already been rejected by countless performers. Their biggest hit and surely their signature song, Happy Together signalled a turning point for the Turtles and for Chip Douglas, who provided the arrangement. With its tongue-in-cheek tone, incessant and infectious guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, Happy Together is perhaps the quintessential example of fresh, feel-good 1960s American pop. The single replaced the the Beatles' Penny Lane at number one on the Billboard Hot 100 in the spring of 1967. Their only number one, it remained at the top for three weeks. An album of the same name followed and peaked at number 25.

Impressed by Chip Douglas's studio arrangements, Monkee Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' new producer, as the band wanted to break out of their manufactured studio mould. Douglas accepted, left the Turtles, and was replaced by bassist/singer Jim Pons. 1967 proved to be the Turtles' most successful year in the charts. She'd Rather Be With Me reached number 3 on the US charts in late spring, and actually out-charted Happy Together overseas. Two successive top-15 gems followed: the singularly lush and pretty ballad You Know What I Mean and the playfully psychedelic and gleefully adolescent She's My Girl. Both 45s signalled a certain shift in the band’s style. Golden Hits was released later that year, charting in the top 10. (The album covers for Golden Hits and its follow up Golden Hits Vol 2 were designed by Dean Torrence of Jan & Dean fame and his company, Kittyhawk Graphics.)

1968 started without a bang. The first two singles, Sound Asleep and The Story of Rock and Roll, stalled somewhere in the middle of the top 100. The band's fortunes changed when now hugely successful Monkees producer Chip Douglas returned to work with them in the studio. Late in 1968 the Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands (with names like 'The Bigg Brothers', 'Nature's Children', 'The US Teens featuring Raoul', and 'The Fabulous Dawgs'), each with a song in a different genre. The album yielded two distinctive singles: Elenore and You Showed Me (both peaking at number six). The blissful-sounding Elenore may be the only Top Ten single to contain et cetera in its lyrics, and allegedly was the band's tongue-in-cheek response to White Whale's demands for more songs like Happy Together. (Howard Kaylan confirmed this account in a live interview on XM Radio's 60s channel on March 3, 2007.) The breathy-trippy 1969 hit You Showed Me was written by Byrds members Gene Clark and Roger (then James) McGuinn in 1964. Television appearances in 1968 include a February 26 visit to The Mike Douglas Show, to which they returned in April 1969.

Kaylan and Volman rebelled against White Whale's attempts to push the Turtles towards factory-like studio chicanery (including firing the rest of the band, and recording and touring with hired musicians, and putting their vocals tapes already recorded in Memphis ).The label's pressure did force the band to record a single called Who Would Ever Think That I Would Ever Marry Margaret ( which the band totally disowned after its release ) The result was the 1969 release Turtle Soup, a critically well-received LP produced by Ray Davies of The Kinks. Inspired by the revered 1968 concept album The Kinks Are the Village Green Preservation Society, this was Davies’s only ever production work for another band. Kaylan and Volman insisted the whole band share in the writing and singing. Notable tracks include the ethereal and introspective Somewhere Friday Nite and the rather failed single Love in the City. In spite of Turtle Soup's critical acclaim, commercial success was marginal and the band soon began disintegrating.

The Turtles wound down their career with a B-sides and rarities album, Wooden Head (1969), and a second compilation album, More Golden Hits (1970). With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and ceased operation.